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Thursday, October 8, 2026
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Ballet Star Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a plain tee. On stage, dancers can appear like mighty deities, yet often offstage they are petite. This is not true for Ball, whose tall stature is one reason for his popularity for princely characters and partnering. With delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is experiencing the crest of a career that has advanced smoothly. Raised in Liverpool, he faced little ridicule for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was advanced annually, reaching the top rank of principal in 2018. He has relished taking on meaty characters, particularly the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring role is in a talk, in an "In Conversation" series aiming to offer intimate perspectives into a performer's craft. He will walk the crowd through a role, showing his mental workflow during execution. Yet in more comedic ballets, the challenge is profound. "Don Quixote is one of the most demanding technically," he states.

The Psychological Game and Post-Performance Feelings

What about following a performance, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get lost in the role, frequently I do feel self-conscious later. Following an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker previously remarked on a "sense of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Creative Influences

Ball's tenacity stemmed from youthful experiences. Not excelling in contests at school made him "vengeful!" It was motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from books, compositions, and art.

Intimate Dance and Personal Partnership

He additionally is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On Instagram, fans can see clips from his dance films and images that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—something that can be interpreted on various ways.

Ball characterizes his younger self as "eager for success." Has it lived up to his hopes? "I am conscious of how life is a separate reality to the aspirations you had as a young person," he muses. He probably has about decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

Teresa Lawson

Aria Vance is a lifestyle journalist with a passion for luxury travel and cultural exploration, sharing curated experiences from around the globe.

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